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A game is only called “woke” when it’s bad. Balder’s Gate 3 is one of the most “woke” major releases in the last few years but you hardly hear them complain about it.
It’s the same thing with cyberpunk 2077. The anti-woke crowd can’t agree on whether it’s woke because many of them like it.
I think the problem isn’t the wokeness for most people, but the awkward shoehorning of stereotypes and forced messaging that makes everything feel cheap and doesn’t contribute to the experience or story. For example having a lgbtq+ element for the sake of checking a diversity box, instead of it being a random fact of this world or character.
How do you differentiate between a character “written for the sake of checking a diversity box”, a poorly-written diverse character, and a “random fact of the world”? It’s a fictional world. Nothing is random. It’s all creative decisions made by a team of writers and producers.
I don’t think shoehorning in of diverse identities and character backgrounds is good representation or good art, and I completely agree with your point there.
But I don’t think that the people driving the current backlash bother to make those distinctions.
What I see is a lot of outrage being stoked by people using the (updated) language and tactics of gamergate, and I don’t think the result of that will be “better representation”.
I think the result will be devs being harrassed and pushed out of an already brutal industry.
Games like Cyberpunk have characters who are black, gay, etc. but it never impacts the player character’s decisions when interacting with them (besides romance options). Dragon Age The Veilguard has one character walk the player through their sexuality in cutscenes, making it forced and unnecessary information in the moment. It’s the odd injection of the woke rather than the woke itself.
Have you played the game?
I haven’t.
Do you have to interact with that character? In all the BioWare games I have played, you don’t actually have to interact with any companions at all outside of critpath questlines. Even big blowup moments like the Miranda/Jack fight only trigger once you’ve completed both of their loyalty missions, and you have to choose to talk to them to unlock those in the first place.
And since I’m assuming you’re referring to the Qunari companion, and I’ve watched a couple of critiques of the scenes I believe you’re referencing - it’s not their sexuality that’s being discussed, it’s their gender.
I’ve played Cyberpunk, haven’t played DATV but have seen a walkthrough. The cutscene we a referring to seems to be mandatory as no walkthrough or creator has mentioned a path that does not trigger it. There is another scene with the same character that plays as an akward sex scene. It again, feels and is forced, so people do not like it. If you removed these cutscenes and just had the character be trans it would be a non-issue.
An LGBTQ person doesn’t need “a good reason” for being written that way. If they did, then so would the straight person, no? Unless, of course, we’re trying to say that every story’s default needs to be a straight white man who doesn’t need to be constantly justifying his existence.
Frankly, these days you better have a damn good reason why we have to deal with the ten-thousandth same old shoe-horned straight relationship that only exists because two main characters happen to be opposite genders and roughly the same age. Like, yeah, who could have seen that coming wow good job here’s a sticker.
It’s not about checking a diversity box, it’s about the barest amount of representation. The LGBT people in my life don’t exist because they fit some kind of plot-point in my life; they exist because that’s just how the dice landed and they don’t owe me a justification for why they are that way in order to be my friends. That would be absurd, right?
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Sidenote: Everyone complaining about Veilguard(for example) forgets that a) Bioware is famously unclear about what dialogue choices do and b) they just don’t, historically, seem to have the capacity to write terribly creative games. They’re fine and I’ve enjoyed playing the ones I have but still.
I didn’t say they need a reason to exist. I said basically the same thing as you. A character is supposed to just exists with their traits and act naturally, instead of making diversity their whole personality. It’s the same thing as the classic token black guy in movies. Only present to serve the quota, not actually contributing to anything. And having a character make their straight-ness and whiteness their whole personality would be just as infuriating.
I dispise forced romance just as much as you seem to, it doesn’t matter to me what the genders involved are, if it’s there I want it to make sense and add something, not just tick a box.
Right, except that 99% of LGBT characters aren’t doing anything special and their mere existence, since we aren’t numb to it, is taken as some political act of tokenism. It’s as simple as being aware that you’re going to have biases and letting yourself get used to it instead of complaining about it.
And yes, some of it will be a bit heavy-handed and some will even be an attempt to get more money but like, so what? It’s not nearly as much as everyone claims and it all serves to normalize it so get over it. It’s not like there isn’t heaps of absolutely dogshit straight writing that we are fine ignoring for the sake of the rest of the game. Tthe second it’s the same thing but with a gay character every shitstain gets all bent outta shape over it like their problem isn’t their own homophobia.
Woke activists have already said that they are willing to annihilate and scorched-earth and salt-the-fields if DEI ESG woke things arent put front and centre into video games.
So maybe we dont need people who actively hate video games and gamers to be in the video game making industry. The woke can go be part of Hollywood leave the gamers alone.
Woke activists have already said that they are willing to annihilate and scorched-earth and salt-the-fields if DEI ESG woke things arent put front and centre into video games.
What exactly is your problem with ESG, which measures the social and environmental impact of a companies actions? You think we… shouldn’t hold corpos responsible for their actions?
Elon Musk doesn’t want DEI, do you think maybe there might be a good reason the US has it?
So maybe we dont need people who actively hate video games and gamers to be in the video game making industry. The woke can go be part of Hollywood leave the gamers alone.
I’m going to need you to explain how wanting representation of non cishetero characters is proof of ‘people who actively hate video games and gamers…’
You want to know who hate video games and gamers? ‘Anti-woke’ gamers. All this whining and crying over having a character be bi, or someone being (gasp) non-binary is performative and ridiculous. If your entire day and gaming experience can be ruined by someone making a non-binary character in a fucking single player RPG, that’s laughable, and the taunting you’ll receive is justified.
I bought BG3 due to constant negative comments about it. It’s woke, everyone is bi (sign me the fuck up), random misogyny, etc. I figured if they were that mad it had to be good, and 427 hours of gameplay later I am glad I did that.
There were absolutely people calling that game woke. You didn’t hear them because they were drowned out by the good press. It’s not that game is only called woke when it’s bad, it’s that when a game is good there’s enough positive publicity to drowned out the negative.
I heard complaints about BG3 characters being romanceable independently of MC’s gender and race, that it’s against lore and statistics. But my guess would be that it would’ve been the thing devs wanted to do not because of wokeness, but because it seems fairer towards the player.
BG3 doesn’t lecture you like other games though. There is a difference between having these people live in your world vs being the spokesperson for BLM.
The difference isn’t in subject matter, but writing quality. I like retro shooters and considering Build Engine(think Duke Nukem) style games are based on movie genres, I’d love a blaxploitation game were I’m shooting Nazis and throwing molotov cocktails at clansmen. The subject matter would absolutely be in you face.
Remember, people got offended at how Nazis were portrayed Wolfenstein, a game solely about killing Nazis.
We can critique the writing of games like Dustborn, but the moment you start complaining about “wokeness”, you signal that you’re just gaming the algorithm for the lowest common denominator of viewer to drive that ad money up.
Which games are like that, though?
This is just my take on things. Feel free to agree or disagree.
Woke nowadays has a different meaning depending on where you are on the political spectrum, but I think most gamers think of it as corporate virtue signaling with often counterintuitive “not actually progressiveness” and ends up just stereotyping minorities. For example the DLC character in Kill the Justice League is an old lesbian stereotype and rarely represents what modern lesbians actually look like. In fact lesbians don’t have to “look like” anything, but then you wouldn’t know they’re lesbians, and the companies don’t understand how to do this.
Gamers can tell when a company is trying to “be progressive” while also having no idea how to do it properly, and it all comes off as incredibly cringe (Like DragonAge: The Veilguard) But when the developers are capable of telling a story, and integrate their modernized views into it, while making a great game (like Baldur’s Gate 3) it no longer is “woke”, just great.
Games with progressive views have existed for a very long time, and have generally been well received. But they never really started this “fake progressiveness corporate virtue signaling” until recently and I think gamers really only care about this happening. So it isn’t about and never was about the political messages themselves. And proof of this lies in the fact that the same people who complain about woke games also complain about censorship in other countries (like the Arcane lesbian relationship being erased in the Chinese release, or game companies logos not having rainbows only in middle eastern countries).
I know a lot of people see in black and white, and you’re either pro woke slop, or you’re racist/sexist/transphobic. But reality is that most gamers (even those who complain about wokeness) actually are progressives. They actually don’t care if someone is gay or trans or not. They only care about how that is portrayed, how belittling the message is, and how honest it is.
If that’s the case, then they’re just criticizing bad writing, like all of us are.
But it’s not necessarily the case. There was an adult animation that came out endorsed by Ben Shapiro that was meant to be all about conservative values. To show they’re not backwards, the protagonist has one gay friend. And, from that alone, the target base complained about the show being “woke”.
So the term is both wrapping a long way around towards the simple term “bad writing” and instantly called upon anytime demographics include minorities. I’d go for the Occam’s Razor explanation. It’s just hate.
If that’s the case, then they’re just criticizing bad writing, like all of us are.
They’re criticising a specific type of bad writing. There are many ways a story can be written poorly. “Bad writing” isn’t being honest about why and how the writing is bad.
That said, there are definitely far right people who regard well written minority characters to be woke. I understand the user above to be explaining that that’s not everyone who uses the term, and I agree.
the post you replied to brought up a counter-example… but is it really?
i think it probably is yet another example of “poorly written character exists only to be gay”
so basically just reinforcing the point GP made
This, the kind of gamer who make lists of woke games that you shouldn’t play, or go on review bombing a game for been woke do not have the nuance to criticise the bad writing. They follow the fascist strategy of offering a simple solution to a more complex problem, ignoring the real causes of that problem.
Bad writing can be caused by many things but I’m sure that the mass layoffs and the fucked up development cycle are a major cause of these problems.
Agreed, and I feel like the big issue here is there are two versions of “anti-woke” in gaming.
The first is gamers that want real progressive storylines that tie into the story well, and are critical of corporations trying to shoehorn random aspects of culture to be “woke” which fall flat because it’s just virtue signaling.
But it’s been conflated with the sort of 4chan style mentality of “gamer men” who criticize anything, even historically accurate stories who call a game woke just because it doesn’t fit their favorite narrative of muscular white dude or scantily clad woman being the protagonist.
An example of this is Assassin’s Creed Shadows. The game should by no means be labelled “woke” by anybody. It’s telling a dramatized tale of a real person that existed within feudal Japan who was by all measure a black samurai. However the second group in my description above has taken it upon themselves to criticize the studio for “forcing a narrative” or whatever which simply isn’t true. It’s a real person, from history, and they are telling a video game version of his story.
It’s annoying that the improper “wokeness” criticism there gets conflated with true criticism of studios adding barely fleshed out token elements of “inclusion” that by and large benefit nobody but instead detract from titles.
Absolutely this. I can only speak for myself, and I know that some folks are so starved for representation that they are happy with anything and that’s fine, but for me poor representation is just as bad as none at all.
I’m a guy married to a guy, and I do like to see queer characters and same sex romance options. But playing DA: Origin and crushing on Alastair, only to have the option of Zevran… It kinda feels like the games is telling me “gay men are campy and promiscuous, a sensitive and strong guy like Alistair is clearly heterosexual”. It didn’t make me feel included or represented, quite the opposite.
Obviously, times change, and sometimes these clumsy first steps are how we get to somewhere better. But as well as disappointing me, I understand why awkward ‘woke’ representation rubs people the wrong way. If I as a queer man find the gay character tokenistic, underdeveloped and kinda annoying then it doesn’t surprise me that other folks would too. And being willing to say “this is good representation, but that is shallow box ticking” would help us all get to better place.
Personally I’d rather woke slop to straight slop - at least it’s clumsily including different narratives, rather than just clumsily reinforcing the same old narratives.
Obviously I would rather no slop, and I would rather artful représentations of all characters, but writing is hard - even moreso when you’ve got producers, investors, and a committee working as editors.
Also slop meamd the industry is at least not actively hostile to my existence. There are much worse fates than being pandered to and patronized
